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Brian Eno's Oblique Strategies
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Matthew Rogalsky  
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 More options May 19 1992, 7:24 am
Newsgroups: rec.music.synth, comp.music, alt.emusic, alt.exotic-music
From: rogal...@fraser.sfu.ca (Matthew Rogalsky)
Date: Tue, 19 May 1992 16:03:07 GMT
Local: Tues, May 19 1992 12:03 pm
Subject: Brian Eno's Oblique Strategies
Hello World

Does anyone know if Brian Eno's _Oblique Strategies_ card set is still
available?  If it's not in print anymore then would any owners out there
care to type out the text of the cards and share them with me?  My
interest has been piqued again.  Wouldn't Oblique Strategies make a
nice hypercard stack?

That's all
Matt
rogal...@mailserver.sfu.ca


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metlay  
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 More options May 19 1992, 8:22 am
Newsgroups: rec.music.synth, comp.music, alt.emusic, alt.exotic-music
From: met...@minerva.phyast.pitt.edu (metlay)
Date: 19 May 92 17:37:59 GMT
Local: Tues, May 19 1992 1:37 pm
Subject: Re: Brian Eno's Oblique Strategies

In article <rogalsky.706291...@sfu.ca> rogal...@fraser.sfu.ca (Matthew Rogalsky) writes:
>Does anyone know if Brian Eno's _Oblique Strategies_ card set is still
>available?  If it's not in print anymore then would any owners out there
>care to type out the text of the cards and share them with me?  My
>interest has been piqued again.  Wouldn't Oblique Strategies make a
>nice hypercard stack?

I have the cards typed into a text file, one per line, and a small VAX
FORTRAN program that "draws" one for you randomly. Anyone who wants a
copy should contact me via Email. I would like to find a set of the
original Peter Schmidt cards, though....

WARNING: One or two of the lines in my file have been edited to get them
to fit in less than 80 characters. If anyone has the full text of all
of the cards handy (I accidentally deleted mine), I'd like them. Thanks.

--
What shreds your cones, makes wonderful drones, leaves digitoids in a fog?
_______________  What weighs a ton and is oodles of fun? It's A-- na-- LOG!
metlay@minerva.| It's Ana-LOG, it's Ana-LOG, it squashes your neighbor's cat;
phyast.pitt.edu| It's Ana-LOG, It's Ana-LOG, it's better than thin, it's FAT!


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Vincent E. Kargatis  
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 More options May 19 1992, 12:22 pm
Newsgroups: rec.music.synth, comp.music, alt.emusic, alt.exotic-music
From: v...@spacsun.rice.edu (Vincent E. Kargatis)
Date: Tue, 19 May 1992 21:04:40 GMT
Local: Tues, May 19 1992 5:04 pm
Subject: Re: Brian Eno's Oblique Strategies
Can somebody post a description of this card set? I am completely
unfamiliar with them, but they sound interesting enough to find out what
everyone's talking about. Thanks.
--
| Vincent Kargatis                      |    "...it was more really like,     |
| Dept. of Space Physics and Astronomy  |  here are some Ginsu knives - how   |
| Rice University, Houston, TX          |   many can you hold in your bum?"   |
| [v...@spacsun.rice.edu]                |     -- Nigel Tufnel, Spinal Tap     |

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Prentiss Riddle  
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 More options May 20 1992, 4:44 am
Newsgroups: rec.music.synth, comp.music, alt.emusic, alt.exotic-music
From: rid...@is.rice.edu (Prentiss Riddle)
Date: Wed, 20 May 1992 13:46:35 GMT
Local: Wed, May 20 1992 9:46 am
Subject: Re: Brian Eno's Oblique Strategies

rperk...@NeoSoft.com (Rodney Perkins) writes:
>    In the Whole Earth Catalog "SIGNAL", they reprinted the Oblique
> Strategies cards. You could probably find that at your local public
> library.

I like the card set in "Signal", but purists should note: the Whole
Earth folks edited it somewhat for their purposes.  As I recall it was
smaller than the original Eno set and somewhat less specifically
oriented toward music.  I know it included some strategies which Eno's
didn't (I think one of them was "Call your mother and ask her
advice.").

Personally I like the idea of the cards mutating into other forms.  I
think they could be for the 21st century what tarot cards were for the
middle ages. :-)

(True trivia fans get this: The Oblique Strategies cards also make an
appearance in the cult movie about Austin marginal life, "Slacker".)

-- Prentiss Riddle ("aprendiz de todo, maestro de nada") rid...@rice.edu
-- Opinions expressed are not necessarily those of my employer.


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Greg Dykema  
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 More options May 20 1992, 6:48 am
Newsgroups: rec.music.synth, comp.music, alt.emusic, alt.exotic-music
From: phant...@drachen.Eng.Sun.COM (Greg Dykema)
Date: 20 May 1992 16:12:20 GMT
Local: Wed, May 20 1992 12:12 pm
Subject: Re: Brian Eno's Oblique Strategies

Culled from net a few years ago:

From ecf_...@jhunix.UUCP (John Lorch) Wed Mar 29 12:37:00 1989
Path: caen.engin.umich.edu!mailrus!csd4.milw.wisc.edu!lll-winken!ames!haven!aplce n!jhunix!ecf_hjl
From: ecf_...@jhunix.HCF.JHU.EDU (John Lorch)
Newsgroups: rec.music.misc
Subject: Re: ENO'S Oblique Strategies
Message-ID: <1269@jhunix.HCF.JHU.EDU>
Date: 29 Mar 89 17:37 GMT
References: <5639@archie.UUCP> <133000093@inmet>
Reply-To: ecf_...@jhunix.UUCP (John Lorch)
Organization: The Johns Hopkins University - HCF
Lines: 174

Ok, here's my copy of the posting from some while ago of Brian Eno's oblique
strategies cards.  Each line was printed on a playing card sized card, black
on one side, white on the printed side.  They come in a small black box that
says "Oblique Strategies" on one side in gold lettering, and the artists
names are on the other side.  They were developed by Brian Eno and Peter
Schmidt, who was a painter friend of Eno's (he did the cover for Taking
Tiger Mountain (by Strategy)).  The first little bit there descibes the basic
ideas behind the cards and their recommended use.  I bought my set in 1980
for $11.00. It was a second, unsigned edition. A friend of mine has offered
to sell me his first edition, signed by both artists, for $100.00 Those are
the only two copies I've ever seen.  I have no idea where you might find a
copy of the set.

Enjoy.
-=-                                     -=-                             -=-

Here are the ``Oblique Strategies'' cards that have been mentioned/requested:
(this first bit is the introductory card)

OBLIQUE STRATEGIES
Over 100 worthwhile dilemmas by Brian Eno & Peter Schmidt

These cards evolved from our separate observations of the principles
underlying what we were doing.  Sometimes they were recognized in retro-
spect (intellect catching up with intuition), sometimes they were formulated.
They can be used as a pack (a set of possibilities being continuously
reviewed in the mind) or by drawing a single card from the shuffled pack
when a dilemma occurs in a working situation.  In this case the card is
trusted even if its appropriateness is quite unclear.  They are not final,
as new ideas will present themselves, and others will become self-evident.

[First published 1975, slightly revised edition 1978.
 Unauthorized transcription by Rob Stanzel 1985 of
 unauthorized transcription by M. Skoner 9/79 (hi, Mark)]

Remove specifics and convert to ambiguities
Don't be frightened of cliches
What is the reality of the situation?
Are there sections?  Consider transitions
Turn it upside down
Think of the radio
Allow an easement (an easement is the abandonment of a stricture)
Simple subtraction
Be dirty
Go slowly all the way round the outside
A line has two sides
Make an exhaustive list of everything you might do & do the last thing on
   the list
Into the impossible
Towards the insignificant
Ask people to work against their better judgement
Take away the elements in order of apparent non-importance
Infinitesimal gradations
Change instrument roles
Accretion
Disconnect from desire
Emphasize repetitions
Faced with a choice, do both (given by Dieter Rot)
Children   -speaking     -singing
Lost in useless territory
A very small object         Its center
Dont be afraid of things because they're easy to do
Dont be frightened to display your talents
Breathe more deeply
Honor thy error as a hidden intention
What are the sections sections of?    Imagine a caterpillar moving
Only one element of each kind
Is there something missing
Use `unqualified' people
How would you have done it?
Emphasize differences
Do nothing for as long as possible
Bridges   -build   -burn
Always give yourself credit for having more than personality (given by
        Arto Lindsay)
You don't have to be ashamed of using your own ideas
Tidy up
Do the words need changing?
Ask your body
Tape your mouth (given by Ritva Saarikko)
Water
Simply a matter of work
Make a sudden, destructive unpredictable action; incorporate
Consult other sources   -promising   -unpromising
Use an unacceptable color
Humanize something free of error
Use filters
Fill every beat with something
Discard an axiom
Not building a wall but making a brick
What wouldn't you do?
Lowest common denominator
Decorate, decorate
Balance the consistency principle with the inconsistency principle
Get your neck massaged
Listen to the quiet voice
Do the washing up
Is it finished?
Put in earplugs
Reevaluation (a warm feeling)
Give the name away
Intentions   -nobility of  -humility of   -credibility of
Abandon normal instruments
Use fewer notes
Repetition is a form of change
Give way to your worst impulse
Reverse
Trust in the you of now
Imagine the piece as a set of disconnected events
What would your closest friend do?
Distorting time
Make a blank valuable by putting it in an exquisite frame
Feed the recording back out of the medium
Convert a melodic element into a rhythmic element
The most important thing is the thing most easily forgotten
[blank white card]
Ghost echoes
You can only make one dot at a time
Just carry on
(Organic) machinery
The inconsistency principle
Don't break the silence
Idiot glee (?)
Discover the recipes you are using and abandon them
Cascades
Courage!
Spectrum analysis
What mistakes did you make last time?
Consider different fading systems
Mute and continue
Be extravagant
It is quite possible (after all)
What are you really thinking about just now?
Don't stress on thing more than another [sic]
State the problem in words as clearly as possible
Assemble some of the elements in a group and treat the group
You are an engineer
Remove ambiguities and convert to specifics
Look at the order in which you do things
Go outside.  Shut the door.
Disciplined self-indulgence
Do we need holes?
Cluster analysis
Always first steps
Cut a vital conenction
Do something boring
Define an area as `safe' and use it as an anchor
Is the information correct?
Overtly resist change
Question the heroic approach
Accept advice
Twist the spine
Work at a different speed
Look closely at the most embarrassing details & amplify them
Mechanicalize something idiosyncratic
Emphasize the flaws
Remember those quiet evenings
Take a break
Short circuit (example; a man eating peas with the idea that they will
              improve his virility shovels them straight into his lap)
Left channel, right channel, center channel
Use an old idea
Destroy  -nothing   -the most important thing
Change nothing and continue with immaculate consistency
The tape is now the music
-------

--
John Lorch                      UUCP:   ecf_...@jhunix.UUCP
Johns Hopkins University        ARPA:   ecf_...@jhunix.hcf.jhu.edu
Homewood Computing Facilities   BITNET: ecf_...@jhunix.BITNET


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Discussion subject changed to "Brian Eno's Oblique Strategies and NEW RECORDINGS" by Gregory Taylor
Gregory Taylor  
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 More options May 20 1992, 5:56 pm
Newsgroups: rec.music.synth, comp.music
From: gtay...@vme.heurikon.com (Gregory Taylor)
Date: 20 May 92 14:48:10 GMT
Local: Wed, May 20 1992 10:48 am
Subject: Brian Eno's Oblique Strategies and NEW RECORDINGS

Matthew Rogalsky writes:
>Does anyone know if Brian Eno's _Oblique Strategies_ card set is still
>available?  

The last time I checked [the occasion was Eno's birthday show last year],
there weren't any more copies of the OS left with Eno's OPAL people in
L.A., and what copies were still around could perhaps have been ordered
through OPAL in London. This was before OPAL was folded by Warner Brothers
last November, so all bets are off.

The set being offered for sale was the third printing of the deck. There
were no plans for another set. At one point, a group of us were hunting
about trying to compile a correct and annotated listing of all three
editions [what was added, what was dropped] of the sets. We had real
trouble finding a second printing. I'll have to go rooting around in my
old computer tapes and see if I can recover the dump of my stuff from
long ago to see if it might be archived. Don't hold out much hope....

I'll see if I can manage to type them in when I have some time [whenever
*that'll* be].

On another note, I spent a pleasant Friday chatting with one of those
record company folks who keeps an eye on Eno now that Opal's dead. For
those of you who've followed this, the chronology goes something like
this:

Initially, there was an Eno album called "The Shutov Assembly" of
newer instrumental work, and a "Song" album to follow later.

Next, the decision was made to fold the two together [after the relative
success of the Eno/Cale album]. The title was to have been "My Squelchy
Life." This project was close enough to being finished that review copies
were produced, and several reviews of the album appeared in the British
press [Q, Wire].

Then "MSL" started to slip and slip and slip. Then OPAL records had its
tent folded.

So, here's the story NOW:

In the interim, Eno decide to ah...'rework' stuff. He and Fripp have
just crawled out of the studio, having redone all Fripp's guitar parts
for the upcoming project. Rumour has the guitar playing being "as
revolutionary as it was hearing the leads for "Baby's on Fire" the
first time".

There should be a CD5 out in July. No title given.

August is the release date for the new rechristened album, to be called
"Nerve Net".

An additional instrument/ambient album is scheduled for an October/Nov.
release. No title given as yet.

Additionally, Eno has some material produced which should appear on
the soundtrack to the upcoming Ralph Bahkshi film "Cool World."

I hope this is of some use to you.
--
Nothing but an assemblage of cylinders, it rests on the sidewalk at dawn. He
sees it easily enough as the crowd parts, giving him shy looks and shuffling
back as if unveiling a monument. Only a few minutes late the police come by
to draw a white outline around the important corpse before spiriting it away.


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Jeff Needham  
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 More options May 21 1992, 7:33 am
Newsgroups: rec.music.synth, comp.music
Followup-To: rec.music.synth
From: j...@hawk.svl.cdc.com (Jeff Needham)
Date: 21 May 92 16:34:33 GMT
Local: Thurs, May 21 1992 12:34 pm
Subject: Re: Brian Eno's Oblique Strategies and NEW RECORDINGS
In article <1...@heurikon.heurikon.com>, gtay...@vme.heurikon.com (Gregory Taylor) writes:
|> Matthew Rogalsky writes:

||>
|> August is the release date for the new rechristened album, to be called
|> "Nerve Net".

Is anyone aware of a recent album that Eno and Gabriel produced.  I believe
the artist was originally from Kenya?

jeff

--
We threw the empty frame of reason out the cabin door
As we won't be needing reasons anymore" --- Eno/Cale
| Jeffrey Needham
| Yet Another Oracle Performance Group
| Control Data - Santa Clara, CA - INTERNET j...@hawk.svl.cdc.com


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Discussion subject changed to "Brian Eno and Peter Gabriel [was NEW RECORDINGS]" by Gregory Taylor
Gregory Taylor  
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 More options May 23 1992, 9:36 pm
Newsgroups: rec.music.synth, rec.music.misc
From: gtay...@vme.heurikon.com (Gregory Taylor)
Date: 22 May 92 18:19:12 GMT
Local: Fri, May 22 1992 2:19 pm
Subject: Brian Eno and Peter Gabriel [was NEW RECORDINGS]

j...@hawk.svl.cdc.COM writes:
>Is anyone aware of a recent album that Eno and Gabriel produced.  I believe
>the artist was originally from Kenya?

Not so recent, really. The album is on Real World. Gabriel makes a brief,
non-producerial appearance. Eno did the production. David Rhodes is also
on it a bit. And the singer's *Ugandan*, not Kenyan. His name is Geoffrey
Oryema [his father was terminated in a prejudicial manner by Idi Amin
Dada while serving as....I used to remember.... head of the air force?],
and the album is called "Exile." It's very lovely - Eno really doesn't
get in the way of the basic performance at all. It reminds me a bit of
the feel and the acoustic space of Danny Lanois' "Acadie." Very quiet
and introspective. I just played "Piny Runa Woko" as a part of the annual
"Brian Eno Birthday Party" on my radio show last Sunday.

I hope this is of some help.

--
Still, the world that is or was the person shimmers uneasily at him, in the
blank frame that waves at nothing (one arm up, legs bent) like an exuberant
bit of graffiti. Stenciled on the damp ground, it's as pure and inviting as
a footprint: he's ready to hurl himself into the mold and test the fit.


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