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Twentieth-Century Theatre: A Sourcebook by Richard Drain; Routledge, 1995 - Part I: The Modernist Dimension - Introduction - 1: Alfred Jarry - 2: Adolphe Appia - 3: Gordon Craig - 4: F.T.Marinetti, E.Settimelli and B.Corra - 5: Enrico Prampolini - 6: Tristan Tzara - 7: Guillaume Apollinaire - 8: Walter Hasenclever - 9: Valeska Gert - 10: Stanislas Ignacy Witkiewicz - 11: Ivan Goll - 12: El Lissitzky - 13: Sergei Radlov - Notes - 14: Oskar Schlemmer - 15: Daniil Kharms - 16: Gertrude Stein - 17: Eugene Ionesco - Note - 18: Allan Kaprow - 19: Robert Wilson - 20: Tadeusz Kantor - 21: Richard Foreman - Part II: The Political Dimension - Introduction - 22: Bernard Shaw - 23: Sergei Eisenstein - Notes - 24: Ernst Toller - 25: Vsevolod Meyerhold - 26: Erwin Piscator - 27: Workers’ Theatre Movement - 28: Bertolt Brecht - 29: Athol Fugard - 30: Ariane Mnouchkine - 31: Judy Chicago - 32: HÉlÈne Cixous - 33: Carolee Schneemann - 34: Suzanne Lacy and Leslie Labowitz - 35: Edward Bond - 36: Charles Ludlam - Part III: The Popular Dimension - Introduction - 37: Gordon Craig - 38: Vesta Tilley - 39: Vsevolod Meyerhold - 40: W.B.Yeats - 41: F.T.Marinetti - 42: Vladimir Mayakovsky - 43: Grigori Kozintsev - 44: Blue Blouse - 45: Vsevolod Meyerhold - 46: Karl Valentin - 47: Bertolt Brecht - Notes - 48: Jean Vilar - 49: Armand Gatti - 50: Peter Schumann - 51: Dorothy Heathcote - 52: Dario Fo - 53: John Mcgrath - 54: Armand Gatti - 55: John Fox - 56: Kwesi Owusu - Part IV: The Inner Dimension - Introduction - 57: August Strindberg - 58: Adolphe Appia - 59: Gordon Craig - 60: Vsevolod Meyerhold - 61: LoÏe Fuller - 62: Isadora Duncan - 63: Wassily Kandinsky - 64: Constantin Stanislavski - 65: Paul Kornfeld - 66: Evgeny Vakhtangov - 67: Federico GarcÍa Lorca - 68: Antonin Artaud - Notes - 69: Judith Malina - 70: Jerzy Grotowski - 71: Louise Steinman - 72: Rachel Rosenthal - Part V: The Global Dimension - Introduction - 73: Antonin Artaud - 74: Bertolt Brecht - Note - 75: Enrique Buenaventura - 76: Errol Hill - 77: Luis Valdez - 78: Peter Brook - 79: Wole Soyinka - 80: Ntozake Shange - 81: Honor Ford-Smith - 82: Augusto Boal - 83: HÉlÈne Cixous - 84: Eugenio Barba

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The Theatre and Dramatic Theory by Allardyce Nicoll; Barnes & Noble, 1962

Backwards and Forwards: A Technical Manual for Reading Plays by David Ball; Southern Illinois University Press, 1983 : - Part One: Shape - 1: What Happens That Makes Something Else Happen - 2: And What Happens Next - 3: But Do It Backwards - 4: Stasis and Intrusion - 5: Obstacle, Conflict - 6: Ignorance is Bliss (or: the Very Cause of Everyone\47s Lunacy About Hamlet) - 7: Things Theatrical - Part Two: Methods - 8: Exposition - 9: Forwards: Hungry for Next - 10: Missing Persons (character) - 11: Image - 15: Families - 16: Generalities: Mood, Atmosphere - 17: The Unique Factor - 18: Changing Eras - 19: Climax - 20: Beginnings/Endings - 21: Rereading - 22: What Next

The Elements of Drama by J. L. Styan; 1960 - Introduction - Part I: The Dramatic Score - 2: Dramatic Verse is More Than Dialogue in Verse - 3: Making Meanings In The Theatre - 4: Shifting Impressions - 5: The Behaviour of the Words On the Stage - Part II: Orchestration - 7: Tempo and Meaning - 8: Manipulating the Characters - 9: Breaking the Continuity - 10: The Meaning of the Play As a Whole - Part III: Values - 12: Passing Judgment - 13: Playgoing as an Art

http://www.questia.com/PM.qsta=o&d\07515322876 Playwright Versus Director

http://script.vtheatre.net/dramaturg.html

* Playwriting: A Practical Guide for Students of All Ages by Noël Greig; Routledge, 2004

- 1: Getting Going and Warming Up - 2: Theme - 3: Issue - 4: Building a Character - 5: Finding the Story - 6: Location - 7: The Individual Voice - 8: Second Draft - 9: Performance Projects

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