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Scene Analysis:
Harsh as usual, Katherine tears into Petruccio the second he greats her. However, Petruccio’s wit equals that of Kate’s, and she, used to skewering the slower-witted men, is frustrated by his ability to fight back. They have a verbal battle with each other, each one making up a new insult from the other’s comments (Kate’s puns are insulting or threatening, but Petruccio turns them into sexual suggestions). Eventually, Katharina reaches her boiling point and strikes Petruccio, but he continues, saying that he will marry her whether she likes it or not. We see a change in emotion for Kate when she fails to challenge Petruccio’s declaration that they are engaged. She has always used her tongue profusely to get what she wants, and here, when Petruccio seems to force marriage on her, she becomes silent. Possibly, marriage represents a new beginning for her, a chance to acquire a new social role and find a more satisfying way to associate with the world around her.
Character Analysis:
Katherine has a bad temper and a sharp tongue. She continually insults and shames the men around her. Her nasty behavior comes from unhappiness. She may act like a shrew, but it stems from being unhappy and anxious. She is jealous of how her father treats her sister, and she feels like she is undesirable. This feeling of undesirability makes her fear that she may never have a husband. In this scene, Petruccio proves to be equally intelligent to Katherine. This makes him a thrilling change from the men who usually court her. Petruccio’s aggressive handling of Katherine shows her that she has no choice but to adjust to the role of a wife. This is somewhat appealing to Katherine; even though she doesn’t like the idea of being a wife, playing one will allow her to demand respect from others, rather than suffer the loathing she gets as a shrew.
Katherine:
Who: The “shrew,” who is the daughter of Baptista Minola. Late 20’s, ill-tempered-especially toward people who want to marry her, insecure, jealous of her sister. What: Katherine engages in a verbal battle with Petruchio, but to her surprise she finds that he is as clever as she is, which is attractive to her. Where: Her bedroom in her father's home in Padua, Italy. When: Before dinner on a winter's Friday night, during the Italian Renaissance. Why: She doesn't want to be a wife, but at the same time she worries about never being married and fitting in with society. She hates men's treatment of her, but Petruchio proves to be different. This leads to her developing an attraction to his persona.
Katherina's Objective: To Not Marry Petruchio Katherina's Obstacles: Petruchio; his objective is to marry her. Herself; she is attracted to him
Floor plan
Prop List: Door Bed Desk Paper Two Books Blanket Dress Shoes
"Taming of the Shrew: The Taming Begins" William Shakespear
Cast: Pedro Lizardi as Petruchio Shelly Grondahl as Katharina
Exposition
Kate is trashing her bedroom in a fit of rage; she just finished beating her sister after finding out about Petruchio
Episode 1: Mutual Attraction [Enter Petruchio] PETRUCHIO. Good morrow, Kate; Pause for that's your name, I hear. [Petruchio and Katherine are instantly attracted to each other's appearance]
Episode 2: Introductions
KATHARINE. Well, have you heard, but something hard of hearing: They call me Katharine, those that do talk of me.
PETRUCHIO. You lie, in faith; for you are call'd plain Kate, And bonny Kate, and sometimes Kate the curst; Kate holds up a shoe to halt his appraoch But, Kate, the prettiest Kate in Christendom, [Kate sits on her desk, he pulls up a stool next to her] and therefore, Kate, Take this of me, Kate of my consolation;- Hearing thy mildness praised in every town, Thy virtues spoke of, and thy beauty sounded, Yet not so deeply as to thee belongs, Myself am moved to woo thee for my wife.
Episode 3: The War Begins
KATHARINE. Moved!in good time: let him that moved you hither Remove you hence: I knew you at the first, You were a moveable.
PETRUCHIO. Why, what's a moveable?
KATHARINE. A joint-stool. [She moves to kick him, he dodges and she hits the stool instead]
PETRUCHIO. [Fixes the stool, sits back down] Thou hast hit it: come, sit on me. [Pulls her onto his lap]
KATHARINE. Asses are made to bear, and so are you. [Struggles to free herself]
PETRUCHIO. Women are made to bear, and so are you.
KATHARINE. No such jade as you, if me you mean. [Tears away from him]
Epidode 4: Battle of Whit
PETRUCHIO. Alas, good Kate! I will not burthen thee! For, knowing thee to be but young and light-
KATHARINE. Too light for such a swain as you to catch; And yet as heavy as my weight should be.
PETRUCHIO. Come, come, you wasp; i'faith, you are too angry.
KATHARINE. If I be waspish, best beware my sting.
PETRUCHIO. My remedy is then, to pluck it out.
KATHARINE. Ay, if the fool could find it where it lies.
PETRUCHIO. Who knows not where a wasp does wear his sting? In his tail.
KATHARINE. In his tongue.
PETRUCHIO. Whose tongue?
KATHARINE. Yours, if you talk of tails: and so farewell. [Moves to leave]
PETRUCHIO. [Halts Katherine's Exit] What, with my tongue in your tail? [Blocks her again] nay, come again, Good Kate; I am a gentleman.
Climax KATHARINE. That I'll try. [She strikes him]
Episode 5: Physical Engagement PETRUCHIO. Grabs her wrists I swear I'll cuff you, if you strike again.
KATHARINE. So may you lose your arms: [Stuggles against him] If you strike me, you are no gentleman; And if no gentleman, why, then no arms.
Episode 6: Battle of Attraction
Resolution PETRUCHIO. [Lifts Kate up and tosses her on the bed] A herald, Kate? Nay, come, Kate, come; you must not look so sour.
KATHARINE. [Struggling to free herself] It is my fashion when I see a crab.
PETRUCHIO. Why, here's no crab; and therefore look not sour.
KATHARINE. [Stops struggling] There is, there is.
PETRUCHIO. Then show it to me.
KATHARINE. Had I a glass, I would.
PETRUCHIO. What, you mean my face?
KATHARINE. Well aim'd of such a young one.
PETRUCHIO. Now, by Saint George, I am too young for you.
KATHARINE. Yet you are wither'd.
PETRUCHIO. 'Tis with cares.
KATHARINE. I care not. [Moves toward the door]
PETRUCHIO. Nay, hear you, Kate: in sooth, you scape not so. [Blocks her Exit]
Episode 7: Kate is Defeated
KATHARINE. I chafe you, if I tarry: let me go.
PETRUCHIO. No, not a whit: I find you passing gentle. 'Twas told me you were rough, and coy, and sullen, And now I find report a very liar; For thou art pleasant, gamesome, passing courteous; But slow in speech, yet sweet as spring-time flowers:
Why does the world report that Kate doth limp? O slanderous world! O, let me see thee walk: thou dost not halt.
KATHARINE. Go, fool, and whom thou keep'st command.
PETRUCHIO. Did ever Dian so become a grove, As Kate this chamber with her princely gait? O, be thou Dian, and let her be Kate; And then let Kate be chaste, and Dian sportful!
KATHARINE. Where did you study all this goodly speech?
PETRUCHIO. It is extempore, from my mother-wit.
KATHARINE. A witty mother! witless else her son.
PETRUCHIO. Am I not wise?
KATHARINE. [Admittingly] Yes; keep you warm.
Episode 8: Uncontrolable Circumstances
PETRUCHIO. Marry, so I mean, sweet Katharine, in thy bed: And therefore, setting all this chat aside, Thus in plain terms:- your father hath consented That you shall be my wife; your dowry 'greed on; And, will you, nill you, I will marry you. Now, Kate, I am a husband for your turn; For, by this light, whereby I see thy beauty,- Thy beauty, that doth make me like thee well,- Thou must be married to no man but me; For I am he am born to tame you, Kate, And bring you from a wild Kate to a Kate Conformable, as other household Kates. Here comes your father: never make denial; I must and will have Katharine to be my wife.
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