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Sam German and Jenna Weisz Midterm Scene    

bio/resume: I'm a senior originally from Newport News Virginia. A theatre design major with a minor in film. I have no main focus at the moment but interest in costumes, makeup, sound/lighting design, theatre/film directing as well as script writing for theatre/film. I enjoy learning more about acting as well because i feel it strengthens your knowledge and ability to do your job better as a designer or director. So I have taken a fundamentals of acting class, taught by Carrie Baker in spring of 2007 and now i am taking Intermediate acting taught by Anatoly Anatolin. My favorite kind of acting is improvation, as i feel it (as well as adlibing) adds to your performance as an actor. I am taking this class to not only better my acting skills but to learn how to direct actors better and get involved with their characters more to better design their costumes and ques as well.

 

midterm scene : text -- Jenna Weisz and I will be doing a Benedick and Beatrice scene from the Shakespear play "Much Ado About Nothing". We will be doing the first scene from the 4th act, when Benedick first professes his love for Beatrice. here is the text:

 

 

 

 

BENEDICK

Lady Beatrice, have you wept all this while?
BEATRICE
Yea, and I will weep a while longer.
BENEDICK
I will not desire that.
BEATRICE
You have no reason; I do it freely.
BENEDICK
Surely I do believe your fair cousin is wronged.
BEATRICE
Ah, how much might the man deserve of me that would right her!
BENEDICK
Is there any way to show such friendship?
BEATRICE
A very even way, but no such friend.
BENEDICK
May a man do it?
BEATRICE
It is a man's office, but not yours.
BENEDICK
I do love nothing in the world so well as you: is
not that strange?
BEATRICE
As strange as the thing I know not. It were as
possible for me to say I loved nothing so well as
you: but believe me not; and yet I lie not; I
confess nothing, nor I deny nothing. I am sorry for my cousin.
BENEDICK
By my sword, Beatrice, thou lovest me.
BEATRICE
Do not swear, and eat it.
BENEDICK
I will swear by it that you love me; and I will make
him eat it that says I love not you.
BEATRICE
Will you not eat your word?
BENEDICK
With no sauce that can be devised to it. I protest
I love thee.
BEATRICE
Why, then, God forgive me!
BENEDICK
What offence, sweet Beatrice?
BEATRICE
You have stayed me in a happy hour: I was about to
protest I loved you.
BENEDICK
And do it with all thy heart.
BEATRICE
I love you with so much of my heart that none is
left to protest.
BENEDICK
Come, bid me do any thing for thee.
BEATRICE
Kill Claudio.
BENEDICK
Ha! not for the wide world.
BEATRICE
You kill me to deny it. Farewell.
BENEDICK
Tarry, sweet Beatrice.
BEATRICE
I am gone, though I am here: there is no love in
you: nay, I pray you, let me go.
BENEDICK
Beatrice,--
BEATRICE
In faith, I will go.
BENEDICK
We'll be friends first.
BEATRICE
You dare easier be friends with me than fight with mine enemy.
BENEDICK
Is Claudio thine enemy?
BEATRICE
Is he not approved in the height a villain, that
hath slandered, scorned, dishonoured my kinswoman? O
that I were a man! What, bear her in hand until they
come to take hands; and then, with public
accusation, uncovered slander, unmitigated rancour,
--O God, that I were a man! I would eat his heart
in the market-place.
BENEDICK
Hear me, Beatrice,--
BEATRICE
Talk with a man out at a window! A proper saying!
BENEDICK
Nay, but, Beatrice,--
BEATRICE
Sweet Hero! She is wronged, she is slandered, she is undone.
BENEDICK
Beat--
BEATRICE
Princes and counties! Surely, a princely testimony,
a goodly count, Count Comfect; a sweet gallant,
surely! O that I were a man for his sake! or that I
had any friend would be a man for my sake! But
manhood is melted into courtesies, valour into
compliment, and men are only turned into tongue, and
trim ones too: he is now as valiant as Hercules
that only tells a lie and swears it. I cannot be a
man with wishing, therefore I will die a woman with grieving.
BENEDICK
Tarry, good Beatrice. By this hand, I love thee.
BEATRICE
Use it for my love some other way than swearing by it.
BENEDICK
Think you in your soul the Count Claudio hath wronged Hero?
BEATRICE
Yea, as sure as I have a thought or a soul.

BENEDICK Enough, I am engaged; I will challenge him. I will
kiss your hand, and so I leave you. By this hand,
Claudio shall render me a dear account. As you
hear of me, so think of me. Go, comfort your
cousin: I must say she is dead: and so, farewell.

 

Sam playing Benedick:

W's: I am Benedick, I have returned back to the US in 2007 after fighting in Iraq and I am in love with Beatrice. Why? because i realized I actually liked her while i was in Iraq and now i attempt to make her mine. My goal is to at least get some sign that she will be mine by the end of the scene and the main obstacle is her. She will be hard to get and will want me to do something to prove my love to her, that i don't want to do. 

 

Nine Squares: Beatrice enters from UR and X DC. Benedick enters from UL and X DC. First Benedick goes into her territory (RS) and there is pacing in that area, then we move to LS and Benedick corners Beatrice in DL which is in Benedick's territory of LS.  

 

Master Gesture(s): I actually may have more than one Master gesture. I keep my hands on my hips a lot of the time but I also mime a heart whenever i say love or heart.

 

Biomechanics: The audience can obviously tell I want this girl because I constantly lust over her body, i touch her, I attempt to kiss her and I do kiss her hand two times. 

 

Other character and scene analysis: I am witty, good looking and i'm a hero. There is this girl that I have been around a lot of my life, I have spent a lot of time arguing and fighting with her, but while at war in Iraq I realized that I missed her and more importantly that I loved her. In this scene i want to profess my love, and whoo here to me, get her to love me and start a real relationship. I will do anything for this girl, and if I don't i will make her believe that I will. By the end of this scene she has been using me but I don't realize it because I am blinded by love, and i feel i have won her over a bit and that she loves me back and that we will have something going on very soon.



Text, blocking, pauses:


Example: [thought]line/line[verb describing emotion] (blocking) / = pause

 

 

BENEDICK

[whats wrong?]Lady Beatrice/, have you wept/ all this while? [concern] (X from UL to DC, during cross sings and mimes hearts, stand with hands on hips, ready to serve her like a knight)
BEATRICE
Yea, and I will weep a while longer.
BENEDICK
[I don't like to see you unhappy, I can make you happy though] I will not desire that. [seduction] (remains by her and touches her)
BEATRICE
You have no reason; I do it freely.
BENEDICK
[ok you don't like that yet, maybe i'll change the subject for a second]Surely/ I do believe your fair cousin/ is wronged. [confidence] (continues to stand near her but takes hand off her and pumps fist)
BEATRICE
Ah, how much might the man deserve of me that would right her!
BENEDICK
[So back to the real issue what can i do to please you] Is there any way to show such/ friendship? [question]
BEATRICE
A very even way, but no such friend.
BENEDICK
[are you looking for a man?]May a man do it? [hoping] (touches her)
BEATRICE
It is a man's office, but not yours.
BENEDICK
 [I think we are destined for eachother] I do love nothing in the world/ so well as you:/ is
not that strange? [proclamation] (mime heart when saying love)
BEATRICE
As strange as the thing I know not. It were as
possible for me to say I loved nothing so well as
you: but believe me not; and yet I lie not; I
confess nothing, nor I deny nothing. I am sorry for my cousin.
BENEDICK
[you really turn me on]By my sword/, Beatrice/, thou lovest me.[sexual] (hump air during sword, mime heart, points at her, follows her to DL where she has run to)
BEATRICE
Do not swear, and eat it.
BENEDICK
[but i really do love you, i'm not just saying it to get in your pants]I will swear by it/ that/ you/ love/ me/; and I will make
him eat it/ that says I/ love/ not/ you.[explanation] (mimes hearts when saying love, makes chomping motion after "eat it")
BEATRICE
Will you not eat your word?
BENEDICK
[I won't change my mind, here i'll kiss you]With no sauce/ that can be devised to it./ I protest
I/ love/ thee. [sincere] (attempts to pucker up and kiss her on the lips but is stopped by a book)
BEATRICE
Why, then, God forgive me!
BENEDICK
[was that too much?]What offence,/ sweet Beatrice? [shocked] (reacts to just being blocked)
BEATRICE
You have stayed me in a happy hour: I was about to
protest I loved you.
BENEDICK
[then do it]And do it with all thy heart.[love] (come closer and mimes heart)
BEATRICE
I love you with so much of my heart that none is
left to protest.
BENEDICK
[what do i really need to do to get you?] Come/, bid me do anything for thee. [propose] (drags her by the hand on come, gets down on knees, still holding hand)
BEATRICE
Kill Claudio.
BENEDICK
[your so absurd, do you think i'd really leave a friend for you?]]Ha!/not for the wide world.[bewildered] (laughs slaps hand on knee, throws her hand away)
BEATRICE
You kill me to deny it. Farewell.
BENEDICK
[wait i didn't mean that]Tarry/, sweet Beatrice. [begging] (seizes her and attempts to be rommantic but she is too heavy)
BEATRICE
I am gone, though I am here: there is no love in
you: nay, I pray you, let me go.
BENEDICK
[wait this might be too much too fast] Beatrice,-- [surprise] (struggles to hold her)
BEATRICE
In faith, I will go.
BENEDICK
[yes we are definently going too far]We'll be/ friends first. [in a daze] (stands over her, pats head)
BEATRICE
You dare easier be friends with me than fight with mine enemy.
BENEDICK
[would i really have to leave my best friend for you?]Is Claudio/ thine enemy? [inquisitive]
BEATRICE
Is he not approved in the height a villain, that
hath slandered, scorned, dishonoured my kinswoman? O
that I were a man! What, bear her in hand until they
come to take hands; and then, with public
accusation, uncovered slander, unmitigated rancour,
--O God, that I were a man! I would eat his heart
in the market-place.
BENEDICK
[well wait a minute] Hear me, Beatrice,-- [rethinking]  (tries to open shirt more)
BEATRICE
Talk with a man out at a window! A proper saying!
BENEDICK
[maybe...]Nay, but, Beatrice,-- [reconsidering] (tries to open her shirt more)
BEATRICE
Sweet Hero! She is wronged, she is slandered, she is undone.
BENEDICK
[maybe you should just tell me more]Beat-- [deciding] (tries to open her shirt once more)
BEATRICE
Princes and counties! Surely, a princely testimony,
a goodly count, Count Comfect; a sweet gallant,
surely! O that I were a man for his sake! or that I
had any friend would be a man for my sake! But
manhood is melted into courtesies, valour into
compliment, and men are only turned into tongue, and
trim ones too: he is now as valiant as Hercules
that only tells a lie and swears it. I cannot be a
man with wishing, therefore I will die a woman with grieving.
BENEDICK
[ok i will turn on my friend for you]Tarry/, good Beatrice./ By this hand,/ I /love/ thee. [seduce] (tries to kiss hand, mimes heart while still holding hand)
BEATRICE
Use it for my love some other way than swearing by it.
BENEDICK
[is this really what you want?]Think you in your soul/ the Count Claudio/ hath wronged Hero? [hoping] (cuddles her from behind and speaking into her ear)
BEATRICE
Yea, as sure as I have a thought or a soul.

BENEDICK [i will really fight him then]Enough/, I am engaged/; I will challenge him.[confidence] (miming sword fight with claudio) 

 

[I will do this all for you, i will go now but i will not forget our love and i hope you won't either, and i will be back) I will
kiss your hand,/ and so I leave you. By this hand/,
Claudio/ shall render me a dear account. As you
hear of me,/ so think of me. Go, comfort your
cousin:/ I must say/ she is dead: and so, farewell. [love and compassion] (holds hand and speaks looking into her eyes, kisses hand and leave mimeing hearts)


Acting review of 2008 Winter shorts.


I am doing my acting review on the first show in winter shorts, "Foreplay". I heard it and saw the ending from it everynight it has been performed as i am in another show that appears in the SDA run winter shorts but I only sat down and watched it one time. That time was early in the run through nights the week before opening night so a bit may have changed since then acting wise. This play is about a man that dated three different women over a period of a few years, his name is chuck and 3 different male actors represent him, 3 different female actors represent the 3 different women he tries to date in different moments of his life. First chuck being him early with young innocent virgins that he actually loved, then him in early adulthood, just trying to find someone to have sex with but also to maybe have a slight relationship with, then a little past middle age, when he is just dating slutty chicks hoping to have some sex. The costumes made it easy to be able to follow this concept, all the chucks were dressed the same just with different colors, first date was very virginal looking, with a long loose skirt and a white sweater as well as very formal shoes. The second was wearing very tight jeans showing off her ascensions but still slightly modest, struck me as a normal type of girl. The final date was dressing very hookerish, high goochi boots, short skirt and a low cut blouse as well as sloons of makeup. I liked how all the actors in this show used their ooo's and ahhhhhhhh's and pucks etc to make it very suggested that they are having sex and not playing mini golf. I especially liked Anna's  over exaggerated sexual expressions, mainly how she said "nine more holes". The main actors I watched and critqued were Jenna, Remiro and Anna. For Remiro i would say that opening the play he seemed nervous and unnatural and really needed to slow down. Although as the first five or ten minutes went by he relaxed and I liked his accent on a lot of his sexual words. I thought Jenna and chuck II entrance was a bit dry and boring, they were both too stationary and lifeless. Although Jenna did progress a bit better as time went along as well. She developed really good pitch changes as well as very good sexual stances. There was nothing too negative about Anna's character i thought her character from entrance to exit was good, accent, stance and sound wise. She was a very good slut. One note for all of the acting by Chucks dates is that they did a good job of extreme sexual stance rising in each one from virgin low, to normal a high to slut extremely high. Was a good selectional mix by the director. 


Sam

  

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Latest 3 messages about this page (4 total) - view full discussion
Mar 6 2008 by Sam
Click on http://groups.google.com/group/acting2/web/sam-german - or
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Mar 5 2008 by Dorothy
Wow, what an interesting way to do actor's text. Thank you for
providing a key! Can't wait to see this one performed ;)
Mar 5 2008 by Sam
Click on http://groups.google.com/group/acting2/web/sam-german - or
copy & paste it into your browser's address bar if that doesn't work.
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